Gold in the Temple of Solomon,
The Garden of Eden, the Margolit, Almugim, Golden Tables and Industrial
Gemstones
The Prophet
Jeremiah and the Five Guardians of Solomon’s Temple Treasures
Part
Seven
by Robert Mock
MD
March, 2003
Introduction
In this Mishnah we will explore the
evidence of new furnishing in Solomon’s Temple and art décor of exquisite beauty
the was used to remind His people of their unusual legacy all the way back to
the moment of creation. The Lord of hosts designed a worship service for
the Hebrew pilgrims that appealed and absorbed all their senses: sight, smell,
taste and sound. For them worship in the Temple of the Lord was a total
body experience.
Here we are introduced to the
Garden of Eden, not as the home of the progenitor of the human race, Adam and
Eve, but as a literal place associated with the Temple and the services
dedicated to the God of Abraham, Isaac and Jacob. The atmosphere of this
paradise was cloaked in gold tapestries, gold electroplated Almugim trees and
tables of gold. All of this was within the atmosphere of the gold plated
exterior of the Temple and the gold lined interior of the Great House, the Holy
Place.
The Almugim tree that is depicted
here presents a unique place in the history and lore of the Temple. Here the
Lord of hosts was using objects for the interior decoration of His House as
works of artistic beauty to fulfill the purpose of elevating the minds of the
children of Israel to their Creator. Yet the identity of the Almugim tree is
elusive except for hints found in the discussion of cedar trees in the Bava
Bashra. To find these rare trees, the Levites would have had to go to
Eliot and Ezion Geber, the port where the Solomonic shipyards were located and
where he launched his merchant fleets to sail the seas of the world searching
for gold, peacocks, rare woods, and other precious commodities. From the
depths of the Red Sea, now the favorite site of scuba divers, we may find the
home were the Almugim trees were grown.
What about the Margaliot?
Gold was not the only precious resource used in God’s earthly house. Here again
in this Margaliot we find another enigma in the Temple tradition.
Identified linguistically as a “Pearl”, temple researchers must once again
reevaluate the use of “pearls” in the construction and ornamentation of the
Temple. Here the literal blends with the mystical and allegorical
descriptions by the Jews. The parable of Jesus of the ‘Pearl of Great
Price’ and John’s vision beholding a New Jerusalem, who gates were made of
pearls, brings this natural treasure into the symbolism of sacredness and other
dimensional realities.
Also within the Garden of Eden were
found tables of gold. Was the Holy place actually depicted as the Garden
of Eden or do we have evidence of other tables within the temple complex.
First it is important to evaluate
the little understood furnishing called the Table of Showbread. This table
did not the awe and other-dimensional power of the Ark of the Covenant, the
visual and mystical aura of the lamps on the menorah, the spectacular aromatic
sound and light shows associated with the Altar of Incense with the flashing
lights and fire effects, smoke and tantalizing smells as the frankincense was
sprinkled on the Altar.
The Tables of Showbread with the
stacks of Showbread was simple and inconspicuous. Or so we seem to
believe. Yet the table for the basic ‘staff of life’ was symbolic of the
physical man and the tribes of Israel (twelve showbread) standing in the
presence of the Lord of hosts (Presence Bread) in the Holy of Holies (the Throne
of God)
Here we are introduced to the
complexity of the Table of Showbread, the covering, the stacks of twelve loaves
of showbread, the ventilation tubes, the Ke’arot of golden molds, the Kappot the
golden bowls or plates, the container containing the frankincense called the
bezikim, the kesawot used for wine libations and the menakkiyyot or the golden
dippers.
What then were these tables in the
Garden of Eden? Structurally the Temple was laid out as a blueprint of the
Garden of Eden. So was the Table of Showbread the same as table in the
garden? Was the Garden of Eden another name for the Holy Place as some
Jewish author were suggesting? Yet in the Eden model, when Adam and Eve
approached the Tree of Life and the Tree of Knowledge, they were also
approaching God. If these two trees were symbolized in the two pillars
that guarded the sacred premises of Solomon’s temple, then the ‘garden’ was
outside the temple proper. Therefore the Court of the Temple could have
been the Garden of Eden and the visual description of this garden was on the
patios that all the children of Israel could enjoy and admire as they came to
worship their God.
Gold, Gold, Gold! This
precious metal has fascinated scholars as they attempted to identify the
purported vast wealth of Solomon. The final resting place of his treasury
archive has sent explorers to Luxor and the Valley of the Kings in Egypt, to
Axum in Ethiopia, to Elephantine Island in the Lake Nasser in southern Egypt, to
the archived of the Vatican, or to find the treasury hoard that was taken from
Rome by the Vandals and deposited in the French and Spanish Pyrenees Mountain or
to search for the treasures of the Templar's who held possession and explored
for years the cavern system under the Temple Mount in Jerusalem.
The writers of this Mishnah in the
Emeq HaMelekh state with conviction, “all the silver and gold that ever existed
in the world, from the six days of creation until the day that Zidkiyahu became
king, did not equal the value of the gold that was overlain on the temple from
within and without. There is no end, no measure, no set amount, and no
weighing of the gold that overlaid the Temple and the face of the
temple.”
This topic of Solomon’s gold cannot
be researched without analyzing the ‘types’ of gold used in the Temple
construction. This included ‘gold’, ‘pure gold’, the gold of ‘Ophir'
and the gold of ‘Havilah’, ‘good gold’, ‘red gold’ and the gold from the region
of the east called Parvaim.
What we do know is that the
exterior of the Tower called the Holy Place of the
Temple was covered in its entirety with gold. The interior of the Great
Room plus the interior of the smaller “Shrine Room” called the Holy of Holiest
was covered in a special Parvaim or Red gold.
All the furnishing of the temple,
the ark, the cherubim, the altar, the menorah and the tables of showbread, the
almugim trees and the almug trees, the interior décor on the walls of the temple
with the ornamentations the tables in the Garden of Eden were all overlaid in
gold. For what reason? Did the superb conductivity of energy found
in the gold, the antiseptic and antibacterial properties within this precious
metal become the secret weapon of the Lord of hosts to preserve His chosen
people?
Yet even beyond gold, we now can
systematically evaluate the use of gemstones in the temple. Used in the
construction of the temple, few scholars have attempted to describe the
technological use of gems, such as diamonds and corundum. Yet the technological
imprint of the twin diamond drill has been found in contemporaneous cultures to
the united monarchy of Israel. The ancient descriptions of diamond faceting,
diamond engraving on other gemstones of the ancients is now found in the
archives of ancient technologies.
The Margaliot Pearls, the beautiful
gold covered Almugim coral trees, the tables and tapestries of gold, are all
part of the Garden of Eden found in the Temple of Solomon. This vast hoard of
gold is now a contemporary primary document affirming the account of the
construction of Solomon’s temple in the Books of Kings and Chronicles.
Here we see the magnificent golden Temple of Solomon, one of the most marvelous
buildings constructed in the ancient world.
Mishnah
5
There were 77
tables of gold, and gold [hangings] from the walls of the Garden
of Eden that was revealed to Shlomo. Their radiance was
like the brilliance of the sun and the moon that shine above the world. And all
the silver and gold that ever existed in the world, from the six days of
creation until the day that Zidkiyahu became king, did not equal the value of
the gold that was overlaid on the Temple from within and from without. There is
no end, no measure, no set amount, and no weighing of the gold that overlaid the
Temple and the face of the Temple. All this, plus another 7,000 talents of gold,
were brought and concealed in the "Segel
Habar" (?) with precious stones with which
the Temple was built, besides 3 rows of priceless stones and one row of Almogim
(coral?) trees. [Of] the three rows of priceless stones, the length of each row
was 7 cubits, and width 5 cubits, [of the cubits] established by David. The
length of one Margalit (pearl? gem? building stone?) was 10 cubits. David
prepared all of these for the Great House (Temple), for Shlomo, his
son.
Inventory of
Treasures by King David, hidden at Segal Habar
This Mishnah
reveals the contents of the treasures that were preserved from the Temple of
Solomon. One of the dreams of King David was to build the house of the
Lord. It was the peak moment of his reign to be able to bring the ark of
the covenant to Jerusalem, and he spent the remainder of his life preparing
plans, pouring over architectural drawing, preparing the ritual and music for
the temple services, building articles and furnishing to be used in the temple
that was to be the home for this Ark. Yet, due to the fact that David was a
warrior and renown for his heroic acts, the Lord of hosts would not allow him
the privilege to build the temple. This honor would be given to his son,
Solomon. These valuable articles of antiquity written in this Mishnah were
part of the legacy of King David who prepared them for his son Solomon. They
include:
·
77 tables of gold and golden wall
hangings revealed to Solomon from the walls of the Garden of Eden.
·
The golden overlay to the Temple of
Solomon plus an additional 7000 (7) talents of gold.
·
Gem stones that were used to build
the Temple. These were possibly gem cutting stones with the hardness of diamond
(hardness 10) and corundum (hardness 9).
·
Three rows of priceless stones.
Each row of stones were 7 cubits by 5 cubits
·
One row of Almogim trees.
·
The length of one Margalit (pearl?
gem? building stone?) was 10 cubits.
In a hidden
depository called Segal Habar, we have
another amazing inventory of treasures. The site and location of these
treasures is unknown to this date.
In the
tenth Mishnah, which we will read
later, there is on inventory “70 tables made of fine gold which stood beneath the Tree of Life in the Holy Garden (Garden of Eden). It clearly
identifies these tables as used for placing the showbread. What then is this first inventory, another 70
tables and 7 curtains, or is it 70 curtains and 7 tables or any mixture of the
two?
Later in this
document, we will see that the showbread on the ten Tables of Showbread in the
Temple of Solomon were replaced with new showbread every seventh-day Sabbath
(Shabbat). The older showbread, when it was removed from the tables of
showbread was taken to a table or maybe several tables in the courtyard for the
priests to eat. Any event, we do know that there were other tables on the
temple complex, which could be apart of this inventory.
Two other
interesting treasures are the Margalit, which is reported to be 10 cubits and
the row of Almugim Trees.
The Garden of
Eden in the Temple of Solomon
That the
temples in the Middle East, whether Israelite, Canaanite, Sumerian, Babylonia,
or Egyptian were built on an ancient model of a Holy Place and a Holy of Holiest
and is well documented in the archeological findings. That this model so
permeates the most ancient of cultures suggest a common ancestry of origin.
What is of
interest is that all the temples were built on a model that was reflective of
the Garden of Eden that was described in the first book of the Torah, the Book
of Genesis. It is well known that when Adam and Eve were expelled from the
garden, they were sent to the east and there at the gateway to the garden a
cherubim and a seraphim (flaming or writhing torch) guarded the entrance.
By inference, to return back into the Garden, where God resided they had
to go west. The Tree of Life and the Tree of Knowledge of Good and Evil
both stood in the middle of the garden of the garden.
So also the
temple of the Lord was built on the same model. The main entrance to the
temple complex was at the eastern gate, and in the Ezekiel temple, this will be
the gate in which the Lord of hosts will return to dwell in His temple. At
this entrance was the causeway that traversed the valley to the Mount of Olives
where the red heifer was slain.
To enter the
temple complex heading towards the Holy of Holiest where the Shekinah Glory
dwelt on the mercy seat of the Ark of the Covenant one would have to travel
west. To leave the complex, one would have to travel east. At the
entrance to the middle of the temple complex was the Most Holy Place flanked by
two pillars, the pillar on the left was called Boaz, coming from a root of
uncertain meaning, and the pillar on the right Jachim, Yaw-keen, meaning, “It will establish.”
As such, the
throne of God, or His dwelling place was at the western end of the
Garden, so God’s dwelling place in the
Holy of Holies was in the western end of the temple complex. The Tree of Life and the Tree of the Knowledge of
Good and Evil stood in the middle of the Garden near where the two pillars, Boaz
and Jachim stood at the entrance to the Holy Place. The courtyard of the
temple complex was the equivalence to the Garden of Eden, where Adam and Eve
tending plants and cared for the animals that the Lord of hosts gave to their
custody. Finally there was a river that flowed from the Garden, the
River of Eden, which Zechariah portrays
in his future prophecies that in a temple at the Time of the End a fountain that
will erupt from apparently the southern
wall of the temple and will flow to the eastern (Dead Sea) and the western
(Mediterranean) sea. The Emeq HaMelekh identifies this river or fountain
to be the Gihon River that will flow to the Euphrates River.
The artistic
descriptions of the Temple of Solomon have come down to us in the Holy Writ,
which envisions two major sections of the temple as seen by the priest during
their ministry. The Emeq HaMelekh now opens a new dimension in visual
understanding of this glorious temple.
Where was the
‘Garden of Eden’ as it relates to the
temple of Solomon? Within the complex of the Temple of Solomon it appears
that a beautiful Garden in inexpressible beauty was created. It was not a forested garden of plants like
the Hanging Garden of Babylon or gardens created by Solomon for his wife, but a
representation of the Garden of Eden completed with wall tapestries
possibly of natural and plant scenes created
from woven gold. Also within the
garden were ornamental trees carved out of almug, or red sandalwood and overlaid
with Parvaim gold. On these trees, carved ornamental fruit also from the
almug tree were hung on the tree representing fruit of all seasons. They
were either clustered in three row sections or laid out in a row of fruit trees
like those lining a street or boulevard.
The first
impression would be that the Garden of Eden was actually the Most Holy
Place. This would seem reasonable, though not very accessible to the
ordinary Israelite; it could be seen and enjoyed by those of the Levites and
priests. On the other hand, the typology would suggest that the Garden of
Eden was in the courtyard. If the wall hanging were woven of golden
thread, they were be impervious to the elements of nature, while the beauty of
the ornamental fruit trees made of red sandalwood and covered with gold.
This was truly
the wealth, architecture and exquisite design that legends are made from.
The wealth of Solomon though accepted by most scholars as legendary, now come
alive with these inventories of Solomon’s treasures in these Mishnahs.
Here we can visualize the glory and beauty of the Temple of the Lord built by
Solomon. Here we can visualize in stark literal reality scenic wonders
that greeted the eyes of the Israelite and the majesty of the entire temple
complex that filled the sensory system of the Israelite while he
worshipped. He could feast his eyes upon literal visual images carved in
gold or woven in golden tapestries as he dreamed of the ancient home of his
ancestors, the Genesis Garden of Eden. Yet, here resided the mystical yet
real Temple of the Lord, where the Throne of the Lord of hosts resided.
Margalit: The Margalit, in Hebrew is tylgrm, means “Pearl” and is derived in the English name of
Marjorie. A derivative of the name, Margola, coming from the Hebrew, alagram, actually means Margalit is an object of supreme importance to this
manuscript yet what it is no one seems to know with great certainty.
The etymology
of this name is obscure, but assuredly it is Hebrew, and can mean pearl,
precious stone, Pearl of Beauty, gem, diamond cutter or daisy. The
language appears to be a part of several cultures but always associated with the
Jewish people: archaic Hebrew, Aramaic, medieval Yiddish, Portuguese,
Spanish-Sephardic, Greek or Byelo-Russian. There are a lot of Jewish families called Margola
or Margalit and various other derivatives such as Margolies, Margoolies,
Margulis, Margulies, Margulius, Margolin, Margolas, Margolus, Margoles, and
Margules. Whether this is due to the ancient heritage of their forefathers
being pearl divers, craftsmen or traders is not known.
In fact a
whole village in southern France is called Margolit, because so many residents
on the tax rolls were called Margolits. Near Caesarea and Castel in the
Judean Hills, is a wine house called Margolit, which produces 30,000 bottles of
wine a year and considered by many wine lovers to operate the best non-kosher
boutiques in Israel.
When I posed the question of what
was the ‘Margolit’ in the Emeq HaMeleck to Vendyl Jones, the archeologist most
responsible for bringing the attention of this manuscript to the attention of
the reading public, he expressed that he was not sure, but his son Gershon
Bar-Yonas, now living in Jericho, readily replied, “The Margolit is a pearl. I
named my daughter after it.”
Now let us
return to the Emeq HaMelekh. Here we have a Margolit recorded to be 10
cubits. One quickly reflects upon the
parable of Jesus on the Pearl of Great Price. (Matthew 13:46)
Other
ancient traditions have come down to us
about references in the ‘Zohar’ about
the light within the Ark of Noah, which
is described it as a round
globe, which emitted a light within its
own power or a large pearl in which a soft light spread throughout
the ship.
When I
mentioned this to Gershon Bar-Yonas, he
reflected and stated, “It was not a pearl, but a sapphire.” Ancient legends are hard to account and to
dismiss. Even if the ancient world had a light source or a form of
electricity, how would we know about it today? I have over my head a
convex dome with fluorescent lights about four feet across which has the
appearance of a pearl. If a priest from the Temple of Solomon, as a time
traveler from the ancient past, walked into my study, would he look to the
ceiling in my study and say, ‘That’s a Margolit”?
What was the
purpose of the Margolit? We do not know. We only know that it was an
object of beauty with an inherent value like that of a gemstone. Was a
pearl even a recognized object of value in the ancient world? Let us look
at an ancient text, the Book of Jasher, from the time of Abraham and Nimrod,
when Job, a counselor in the court of Nimrod gave a philosophical essay on the value of
‘wisdom’.
Job 28: 12-19 - “But where can wisdom be found? And where
is the pale of understanding? Man does not know its value, nor is it found
in the land of the living. The deep says, ‘It is not in me’; and the sea
says, ‘It is not with me.’
“It
cannot be purchased for gold, nor can
silver be weighed for its price. It
cannot be valued in the gold of Ophir. In precious onyx (cornelian) or
sapphire (lapis lazuli). Neither
gold nor crystal can equal it, nor can
it be exchanged for jewelry of fine gold. No mention shall be
made of coral (black coral) or pearl (alabaster), for the price of wisdom is above rubies
(red coral). The topaz of
Ethiopia cannot equal it, nor can it be valued
in pure gold.”
The word for
pearl translated from Hebrew is gabiysh (gaw-beesh) (Strong’s 1378) which is an unusual root
suggesting freezing, like ice or a crystal, yet Strong’s dictionary
translates it as a pearl.
When we think
of a pearl with such immense dimensions, our mind gets a little incredulous.
Truly a pearl cannot be this big! So our natural tendency is to
spiritualize the description. Before we do, let us consider one more
text. This is a description of the New Jerusalem.
Revelation 21:21 - “The twelve gates were twelve pearls, each gate being made from a single
pearl. The streets of the city were of
pure gold, like translucent glass.”
Is this city, the New Jerusalem a
literal city? Is it just a spiritual city or a ethereal figment of our
imagination? Is you like I vote for a literal city, even if it is in the
fourth dimension, then God is capable of
creating a pearl that is ten cubits in size as well as gold that is translucent
as glass.
Almogim - In this Mishnah we are introduced to a special
golden plated tree called the Almogim tree. This is a unique word that is
not found in the scripture. At the same time, the trees called
Almug and Almugim
are spoken of and part of the imports
by the sailing expeditions of the sailors of the fleets of Hiram and Solomon
that went out of Ezion-Geber on the northern coast of the Red Sea.
In the
Bava Basra 80 (28 Sivan) is a
discussion of the Ravs on the types of cedar trees. These types included: Erez (cedar), Shitah
(pine), va'Hadas (myrtle), v'Etz Shemen (balsam),...Berosh (box tree), Tidhar
(teak?), u'S'ashur (?)"; but according to Rav Dimi, “also Alonim (pistachio),
Almonim (oak) and Almugim (coral).
Red Sea Marine
Peace Park in the Gulf of Aqaba the most northerly coral reefs on the
planet. Co- Sponsored by Israel, Jordan and NOAA
So here we have our first hint. Coral, as a
plant product, was a native of the virgin waters of the Red Sea and with its
beauty, would have been recognized as a valued building stone. Coral today is
internationally renowned for its beautiful jewelry and many hues and colors.
We do know that coral is the basis of a lot of limestone depositions,
which was the basic building stone of the temple. Even to today, many people
have beautifully shaped corals as center pieces in their homes.
Not too far from Jerusalem, on the Red Sea at
Ezion-Geber are some of the most beautiful coral reefs in the entire
world. In fact this reef is the most northern reef on this planet
earth. Eliot and Ezion-Geber today are popular destinations for Israelis
and international scuba divers.
During the
reign of Solomon, ships were built at the port city of Eliot (Ezion Geber), near
the Biblical Ezion-Geber. There the Israeli - Phoenician fleets plied the oceans
of the world bartering for gold, peacocks, Almug (sandalwood). They also
went to the famed nation of Ophir to trade copper refined at Solomon’s mines at
Timna in the Sinai for gold.
Red Sea Marine Peace Park in the
Gulf of Aqaba the most northerly coral reefs on the planet.
Co- Sponsored by
Israel, Jordan and NOAA
This Mishnah
states in its description that there was ‘one row of coral (Almugim) trees’.
Knowing well the strength and sturdiness as well as the beauty of the coral plus
coming in shades of black, red, blue and white, we can now imagine a forest of
coral trees used as decorations for the beauty for Temple of Solomon.
During the building of the temple, Solomon’s contractors and shipbuilders were
working at the same time on the Red Sea at Ezion-Geber. Did they have the
capacity to visualize the beauty of the reef under the water? And as such,
would it not be a source of great beauty to lines the halls with museum size
specimens of coral in multiple and vibrant colors and also plated fully or in
part with gold.
The
Table of Showbread or Tables in the Garden of Eden
The Table
of Showbread as seen in the Emeq HaMelekh
carries a new dimension with it in the descriptions associated with the Garden
of Eden and the Tree of Life. Placed on the northern wall of the Sanctuary
(Exodus 27:35) it was described in the Septuagint as a table of solid
gold. On the other hand, the table of
showbread made for the Mishkhan, the Wilderness Tabernacle under the supervision
of Moses and Bezaleel, according to the Torah was made of acacia wood, two
ells in length, one ell in breadth and one and one-half ell in height.
It was then covered with pure gold and a golden rim or border was placed around
the top. The table was carried by two gold covered acacia rods put through
two rings on each side of the table.
When
transported with the attendant priests, it was covered by a purple-blue
covering cloth, then the loaves and vessels
were then placed on the purple-blue covering and a scarlet cloth was placed over them. Then on top of all this
a water-proofed seal skin cloth placed
over the entire table. (Numbers 4:7-8)
Whereas the
Mishkhan or the Sanctuary of Moses had one Table of Showbread in it, when the temple of Solomon was built, it had
ten tables of Showbread. (II
Chron. 4:8)
Years later,
after the exile was over, and after new temple of Zerubbabel was built, the land
was once again overrun by the invasion military forces of Syrian ruler,
Antiochus Epiphanes IV. Along
with the desecration of the temple, called the Abomination of
Desolation, the golden table of showbread was
stolen from the temple along with all the other articles of furnishing, (1
Maccabees 1:23) but a new table were later remade by the artisans under Judas
Maccabees. (1 Maccabees. 4:49)
1 Maccabees. 1:22 - “In his arrogance, he entered the
temple and carried off the
golden altar, the lamp-stand with all its equipment, the table for the Bread of
the Presence, the sacred cups and bowls, the golden censers, the curtain, and
the crowns. He stripped off al
the gold plating from the temple front. He seized the silver, gold, and
precious vessels, and whatever secret treasures he found, and took them all with
him when he left for his own country. He had caused much bloodshed, and he
gloated over all he had done.”
1 Maccabees. 4:49 - “They took unhewn stones, as the law commands, and built a new altar on the
model of the previous one. They rebuilt the temple and restored its interior, and consecrated the
temple courts. They renewed the sacred vessels and the
land-stand, and brought the altar of
incense and the table into the
temple. They burnt incense on the altar and
lit the lamps on the lamp-stand to shine within the temple. When they had
put the Bread of Presence on the table and hung the curtains. All their
work was completed.
“Then, early
on the twenty-fifth day of the ninth month, the month Kislev, in the year 148, sacrifice was offered as the law commands on the
newly made altar of burnt offering.”
The
dimensions of the Table of Showbread in
the Mishnah are identical to the dimensions of the 12 loaves of showbread as if
they were placed side by side over the entire table. Yet the picture in Josephus
suggests that six showbread were stacked in two separate stacks with the
dimensions of ten handbreadths long and five handbreadths wide. According
to Rabbi Akiba in dissent, the size was twelve handbreadths by six. In the
space between the two piles of showbread, the cups of incense were placed.
The
ventilating tubes placed beneath each
showbread, is an addition not mentioned in the Torah, which suggests that the
bread rested with no support on the table. (Men xi. 5) Yet according to the
Mishnah it claims that there were fourteen ventilating tubes for each stack of
bread. Each ventilating tube was like a hollow pipe split in two with the
open end of the pipe facing up.
On the table
of the showbread, four temple vessels
were used, the “ke’arot”, the golden molds in which the bread was baked, the “kappot”
or hand-like bowls or plates. Then there
was the “bezikin” or container holding the frankincense, the “menakkiyyot” or the dippers, and the “kesawot” which some sages were used for the
libations of wine while the Jerusalem
and Samaritan Targumim state that they were molds to cover the bread.
In all the
Gemara (Men. 97) suggests such a description. There were four fork-like supports
that went to the floor, two on each side, in which they extended above the table
of show bread. On the table itself, were fourteen half tubes, closed on one end that were fastened to each other
like a grate-like coaster. Three
tubes in a coaster went under each of the bottom four loaves and two tubes in a
smaller coaster on the upper two loaves. (Josephus, “B. J.” v. 5, § 5; "Ant."
iii.
Gold Overlay
used in the Temple of Solomon
Myths and
legends abound in the ancient literature abound in the beauty and the wealth
that was built into the structure of the temple. If one can express beauty of
the golden dome of the Moslem mosque, the Dome of the Rock, than can you image
the entire temple of Solomon begin overlaid with gold. The morning and evening
sun would glisten with the rays of the sun off the golden surface. Whereas the
ark of the covenant was designed as a capacitor box with an outer and an inner
layer of gold surrounding a box of shittim wood, so also the Inner Shrine, the
Holy of Holiest in the Temple of the Lord was built of cedar wood and overlaid
on the inside and the outside with gold. Yes, the Inner Shrine was another Ark,
built as an huge capacitor designed to store an enormous amount of energy.
1 Kings 6:16 - “Then he built the twenty-cubit room at
the rear of the temple, from floor to ceiling, with cedar boards; he built it inside as the inner sanctuary, as the
Most Holy Place.
In advance of
the anticipated advance of the Babylonian army, the priests and Levites on the
maintenance crew of the temple were no doubt frantically busy stripping off the
gold overlay that was placed over the
Temple of Solomon. This gold could have been placed in a safe transport
area, such as the Grotto or Genizah under
Solomon’s Temple, until Jeremiah and the
Temple worthies made plans to secretly store this gold away to prevent the
Babylonian armies from carrying off the gold as booty of war.
The gold overlay that
was put on the outside of Solomon’s Temple in this Mishnah is not calculated and
there its quantity is unknown. No doubt this would have been an immense
amount of gold.
In addition to this unknown quantity of gold
there was also 7000 (7) talents of gold
bullion in reserves that was stored in this location.
.
7 Talents of gold
bullion = 525 pounds = 0.26 tons = 6,300 troy ounces = $2.2 million
As we evaluate
the gold deposits we will be making conversions into to modern monetary
conversions. Here is our Monetary Conversion Table
Monetary Conversion
Table
Talent- In the
Hebrew system of measurement we have the following: The talent, mina,
shekel, Öpim, beka, and gerah.
Talent - 3000 shekels
75.600 pounds.
Mina -
50 shekels (60 Babylonian)
1.260 pounds.
Shekel (‘to weigh’)
0.403
ounces
Fractional Shekels:
Öpim, beka and gerah.
The English
system of measurement we have the following”
1.00 pounds = 12 troy ounces
1 English ton = 2000 pounds
and the Temple
of Solomon
Like
turquoise, in which each piece is so unique that it can be traced to a given
mine anywhere in the world, so the gold of ancients was mined and used in its
raw purity. Like the modern tri-colored golden jewelry, gold takes on a
different hue depending on the natural impurities and trace elements that are
mixed with it. In the ancient biblical account, and also in the Biblical
record, we know that the ancients understood the difference in the quality of
gold.
Scholars and
archeologists have puzzled over the various types and descriptions of
gold. The first indication of gold found in the Torah is called
“Good Gold”. There in the remotest of
antiquity, in the Garden of Eden, the Pishon river which flowed from the garden and encircled
the land of Havilah. There in the Land of
Havilah is where gold was found, and it was “good” gold. (Genesis 2:11). This word in Hebrew was
called zahab (zaw-hawb) coming
from an (Strong’s 2091) unused root word, meaning to shimmer, gold-colored
(yellow). This same word is used for gold throughout scripture. This was
the gold that the wilderness sanctuary was built with no qualification of type
or origin.
Yet within the
construction of the Palace of Solomon, the House of the Forest of Lebanon and
the Temple of the Lord, we begin to get a differentiation of the types of gold
used. Of most interest to the Emeq HaMelekh is the usage of the word,
“Parvaim Gold”.
Yes, there was
‘pure gold’, that was used extensively throughout the temple of Solomon, yet
here in these Mishnahs are described the use of Parvaim gold. What was
Parvaim Gold? Only one time in the Old Testament is the use of Parvaim
gold recorded. When Solomon began the construction of the House of the Lord, he
used a special type of gold to be used in the Holy Place
II Chronicles 3:3-7 - “This is the foundation which Solomon laid for
building the house of God: The length was sixty cubits (by cubits according to the former measure) and the
width twenty cubits. And the
vestibule that was in front of the sanctuary
was twenty cubits long across the width
of the house, and the height was one hundred twenty. He overlaid the inside with pure
gold.”
“The
larger room (Holy Place) he paneled
with cypress which he overlaid with fine gold, and he carved palm trees and chainwork on it. And he decorated the house
with precious stones for beauty, and
the gold was gold from Parvaim. He also overlaid the house - the beams and
doorposts, its walls and doors - with gold; and he carved cherubim on the
walls.”
We do note
that “Parvaim” is truly a unique word in Hebrew, used only once in the scripture as noted above as
lining the interior decor of the Holy Place. The word comes from the Hebrew
word, parvayim (Par-vah-yim)
which refers to an oriental region
(Strong’s 6516). Yet this gold is not called ‘pure gold’, but gold from
the region of Parvaim.
How was this
gold differentiated from other gold. Notice that the house of God as built by
Solomon was one large room in which on the western end was a smaller room, not
as tall as the Holy Place, called the Holy of Holiest or the Inner Shrine.
Was this gold
from Parvaim the gold of Havilah or the gold of India that the River Pishon
encircled? This would be reasonable as the land of India in ancient
times and even more so today is known for its gold. The wealth of the individual inhabitants is
measured in the amount of gold they possess. The women of India are the
possessors of most of the gold, because the jewelry is part of the dowry and
remains in the possession of the bride. This is her insurance policy. So
today, the nation of India has the largest personal hoard of gold in the entire
world.
Yet, there is
another type of gold called “Pure Gold”. This was differentiated from regular gold,
zahab, and appeared to be used
in special types of layering or ornamentation. This gold was called
tahor (taw-hore), which in a
physical, chemical and ceremonial sense was pure and clean (Strong’s 2889). This type of gold was to used in
the Wilderness Sanctuary for the ark of the covenant (Exodus 25:11), the mercy seat (25:17), the table of showbread (25:24), the dishes, pans, pitchers, and
bowls for pouring (25:29), the menorah
or beaten candlestick (25:31,36, 38-39), the
holding chains for the breast plate
(25:14, 22), engraved plate for the turban of the high priest (28:36), and the altar of burnt incense (30:3).
When it came for the construction
of the Temple of Solomon, whereas the King’s James Version states that
‘pure’ gold was used in building or
constructing specific parts of the temple or furnishings, the New English Bible
states that these were made of “Red Gold” and the Tanakh calls it “Solid Gold”. In reality, the Hebrew word is truly a
different word used in eight different usages called cagar (saw-gar) coming from a primitive root, having a
meaning to enclose with something pure.
What was built
that was so special that it was to be used by a physical and ceremonially pure
gold that is also called ‘Red’ or “Solid’ by some translators? These
special objects were the inside lining of the Holy Place (I Kings 6:21), the inside lining of the
Holy of Holiest (6:21), the golden lamp
stands (7:49, II Chronicles 4:20), the
basins, the trimmers, the bowls, the ladles, and the censers (7:50, II Chronicles 4:22), and the vessels
of the House of the Forest of Lebanon (10:21,
II Chronicles 9:20). Was this word meant to depict a type of pure gold
that was a different color or hue or was it a description of whether it was to
depict a solid as opposed to a gold laminate or covering? Of this group,
the only the lining of the Holy Place was designated as gold that came
from Parvaim.
Even more,
Solomon overlaid the entire exterior of the Temple of Solomon with gold and even
the carved cherubim on the outside walls. Yet the interior walls of the
Holy Place and the exterior and interior walls of the Holy of Holiest were lined
with “pure, red, solid” gold. In distinction, the exterior of the temple
was covered only with “gold”. It is interesting that all the vessels in the
Palace of Solomon were made of gold, where the vessels in the House of the
Forest of Lebanon were made of “pure, red, solid” gold. Once again, what is the
meaning of these various distinctions in the Hebrew for gold?
The Gold of Ophir is the most
famous name for gold used in the house of the Lord and vaulted Solomon as
the richest man in the world with the successful peril-oceanic sea voyages to
Ophir for gold, algum trees, and precious stones.
I Kings
9:28 - Then Hiram sent
his servants with the fleet, seamen who knew the sea, to work with the servants
of Solomon. And they went to Ophir, and acquired four hundred and twenty talents
of gold from there, and brought it to King Solomon.
I Kings
10;11 - “The ships of
Hiram, which brought gold form Ophir, brought great quantities of almug wood and
precious stones from Ophir.
I Kings
22:48 - “Jehoshaphat made merchant ships to
go to Ophir for gold; but they never sailed, for the ships were wrecked Ezion
Geber. Then
Ahaziah the son of Ahab said to Jehoshaphat,”Let my servants go with your
servants in the ships.” But Jehoshaphat would not.”
I Chronicles
29:4 - “I (King David)
have set my affection on the house of my God, I have given to the house of my
God, over and above all that I have
prepared for the holy house, my own special treasure of gold and
silver:
three thousand talents of gold, of the gold
of Ophir, and
seven thousand talents of refined
silver, to overlay the
walls of the houses; the gold for things of gold and the silver for things of
silver, and for all kinds of work to be done by the hands of craftsmen. Who then
is willing consecrate himself this day to the Lord?
3000 talents of gold = 225,000 pounds -
112.5 tons =
2.7 million troy ounces = 8.235 billion
dollars
2 Chronicles
8:18 - “And
Hiram sent him ships by the hand of his servants, and
servants who knew the sea. they went with the servants of Solomon to
Ophir, and acquired four hundred and fifty
talents of gold from there, and brought it to King Solomon.
450
talents of gold = 33,750 pounds = 16.875 tons =
405,000
troy ounces = 1.42 billion dollars.
2 Chronicles
9:10 - “Also, the
servants of Hiram and the servants of Solomon, who brought gold from Ophir,
brought algum wood and precious stones.
Job 22:24 -
“Then you will
lay your gold in the dust, and the gold of
Ophir among the stones
of the brooks. Yes, the Almighty will be your gold and your precious
silver; for then you will have your delight in the Almighty.
Psalms 45:9
- This song set to the
music of ‘The Lilies” was a song of love. It was to the Chief Musician, a
contemplation of the sons of Korah. Here is described the opulence of a
Near Eastern royal wedding, with spices, royal persons from other countries and
gorgeous wedding attire.
The Song for the
coming King Messiah (Anointed One) and His bride
“Your throne, O God is forever and
ever; a scepter of righteousness is the scepter of Your kingdom. You love
righteousness and hate wickedness; therefore God, Your God, has anointed You
with the oil of gladness more than Your companions. All Your garments are
scented with myrrh and aloes and cassia, our of the ivory palaces, by which they
have made You glad. Kings’ daughters are among Your honorable women; at
Your right hand stands the queen in gold from Ophir.
Isaiah 13:12
- “I will make a
mortal more rare than fine gold, a man more
than the golden wedge of Ophir.” - Judgments upon all
nations symbolic of Babylon.
Yet where was Ophir. It
appeared to be a place famous for its gold as noted in the texts above. In the
LXX, this word is rendered “Sophir” and
“Sofir”, which is
actually the Coptic name for the land of India, which is also, reflected the same
in the Vulgate and the Arabic version. In Josephus, he identifies Ophir
with the Golden Chersonese or the peninsula of Malay. This is generally
recognized with Abhira at the mouth of the Indus River in India.
Actually the word, India, was not
used in scripture until the Book of Esther (Esther 1:1 and 8:8, which depicted
the extent of the farther reaches of the eastern border of the Persian
Empire. This was the land surrounding the Indus River, the Punjab region
and not the Hindustan peninsula of India. It appears at least after the
Babylonian and Persian experience, the land of India carried on a thriving trade
with the land of Judea. (Ezekiel 27: 15, 24)
It was Herodotus in his book, The
History of the Persian Wars, III.106, written about 430 BCE, he wrote:
“It seems as if the extreme regions of the
earth were blessed by nature with the most excellent productions, just in the
same way that Hellas enjoys a climate more excellently tempered than any other
country. In India, which, as I observed lately, is the furthest region of the
inhabited world towards the east, all the four-footed beasts and the birds
are very much bigger than those found elsewhere, except only the horses, which
are surpassed by the Median breed called the Nisaean. Gold too is produced
there in vast abundance, some dug from the earth, some washed down by the
rivers, some carried off in the mode which I have but now described. And
further, there are trees which grow wild there, the fruit whereof is a wool
exceeding in beauty and goodness that of sheep. The natives make their clothes
of this tree-wool.”
The land of India, ancient Ophir, to this day lives up to her
ancient and legendary image. According to a recent
report, the citizens of India possess approximately 29,000 tons of
gold. Only 400 tons of gold is held in public reserves by the government,
yet the biggest bulk, 28,600 tons are held in private possessions by the Indian
people themselves. In 2001, India imported according to public documents about
$3 billion in gold.
Yet the name Ophir was known since
the days of Noah and Ophir was associated also with Havilah. The sons of
Noah were Japheth, Shem and Ham. The descendants of Shem who were forefathers of
Abraham were Arphaxad à Selah à Eber (where the name Hebrew comes
form) à Peleg and Joktan.
These lives of these two brothers
are fascinating in the history of earth changes or catastrophes. In
Genesis 10:25 it states, “the name of one was
Peleg, for in his days the
earth was
divided, and his
brother’s name was Joktan.” In the name of Peleg, whose
name means “watercourse” or
“Division” we see at
Peleg’s birth the watercourse rushing into
the oceans under the continents as the earth began to split. Here was the beginning of
the separation of the
continents of the
earth from one continent land of Eden, known by geologists as Pangea, the earliest single land mass on
this earth. Yet at the death of Peleg the
Tower of Babel collapsed as civilization at Babel
confronted the Lord of hosts, the Elohim. At this time the continents
began to separate and families and tribes living on each continental masses were
separated from each other.
The genealogies of the nations
continue, when we see the sons of Joktan.
Genesis
10:26-30 - “And
Joktan begat Almodad, Shelph, Hazarmaveth, Jerah,
Hadoram, Uzal, Diklah, Obal, Abimael, Sheba, Ophir, Havilah and Jobab. All these were
the sons of Joktan. And their dwelling place was from Mesha (Media) as you go toward Sephar, the mountain of the east.”
What is of interest, the Queen of Sheba was a
descendant of Joktan of the House of Shem, Arphaxad, Salah, and
Eber. So also Ophir and Havilah were of the same genealogical
tree. They were all Hebrews, or of the House of Eber, as were
the children of Israel, though through distant cousins.
It is interesting that we identify the Queen of Sheba with
the legendary kingdom of Sheba in the Yemeni province of Marib.
Here archeologists are excavating a 10th century temple build during
the reign of Balgis, the Queen of Sheba, according to Arabic traditions,
which according to scholars was restricted only to the elite in the land.
To the east about 1.8 miles, in Aswam, is also the Moon temple also built
in the thriving kingdom of Sheba.
The Temple of
Balgis, 10th century Queen of Sheba
Also the land of Saba (Sheba) is right across the Red Sea
from Ethiopia, where history records the second most prominent home for the
Queen of Sheba, in ancient Ethiopia. Here we have by tradition, the birth
of Meneyelek, born to Makeda, the Queen of Sheba and
Solomon. This history of the Solomonic dynasty of Ethiopia is recorded in
the translation of the Kebra Nagast by Sir. E.
A. Wallis Budge, the famous archeologist of Egypt.
The legendary abduction of the Ark of the Covenant to the
land of Ethiopia according to the Kebra Nagast was done by Meneyelek and it is
presently residing in Axum in Ethiopia. To date, there is no one except
the guardian of the Temple of Axum who has seen what is reputed to be the Ark of
the Covenant. The tale of the Queen of Sheba as the wife of Solomon is the
exotic story that has created vivid images for generations over thousands of
years. This story along has made its prominent mark in three Holy Books,
the Hebrew Bible, the Ethiopian Kebra Nagast and the Holy Koran
In the biblical account, the Queen of Sheba, the Queen of
Sheba came on a expedition of commerce, but also hearing:
I Kings 10:1-2 - “the fame
of Solomon concerning the name of the Lord, she came to test him with hard
question. She came to Jerusalem with a very great retinue, with camels that
bore spices, very much gold, and precious stones; and when she came to
Solomon, she spoke with him about all that was in her heart.”
The description of the house of Solomon and the
conduct of his palace is interesting. It is fascinating what impresses
people. To the queen of Sheba, the conduct of the palace, the relationship of
the king to his people and importance of how the king approached the God in
which he served so moved this queen.
I Kings 10:4-5 - “And when
the queen of Sheba had seen all the wisdom of Solomon, the house that he
had built, the goods on his table, the seating of his servants, the service of
his waiters and their apparel, his cupbearers, and his entryway by which he went
up to the house of the Lord, there was no more spirit in her.”
And so Balgis or Makeda, the queen of Sheba and Ethiopia gave
to Solomon:
I Kings 10:10 - “…one hundred and twenty talents of
gold, spices in great quantity, and precious stones. There never
again came such abundance of spies as the queen of Sheba gave to King
Solomon.”
120 talents of gold = 9000 pounds = 4.5
tons =
108,000 troy ounces = $37.8 million
dollars
Today archeologists
are digging in the Marib oasis for clues to the ancient history of the
Sabeaean dynasty that built an agrarian culture, plus temples and great
houses. What is of interest is that all of the South Arabian Kingdom
began as theocracies.
The kingdom of Saba
was the dominate culture in South Arabia for about two thousand years.
A large dam, the Marib Dam was built to pool the waters of the seasonal
floods and become the source of life to a large and complex irrigation system
that fed and sustained over 30,000 inhabitants. The Sabeaneas were known
as supreme traders of the ancient world for they were located at the
junctions of the trade routes between the east and the west. The camels
were domesticated about 1800 B.C.E. as well as the Arabian horse, and
with both, they could travel great distances across arid deserts. In 60
- 70 days the Sabeaean trade caravans could travel from Qana on the Indian Ocean
to Gaza on the Mediterranean Sea. Here the “Gold and Incense
Road” was protected as a sustenance of all the kingdom along its
route. Incense, grown in the farther reaches of lower Hadhramaut in
the East was used in thousands of pounds a year in the temples of the
Mediterranean and the Tigris-Euphrates Valley.
Along with incense,
the Sabaean merchants transported ebony, silk, fine textiles from India,
animal skins, feathers, gold and rare woods from East Africa. By the
1st century A.D., the era of the Sabaean merchants was over.
The great Marib Dam finally collapsed about 570 A.D. according to Arab
writers.
Was the gold of
Ophir and the gold of Havilah the same? Chances are they are regions
of India inhabited by close genetic cousins. Was there a family dynasty
that controlled the gold and spice road throughout the generations in the
families of Sheba, Ophir and Havilah?
What we do know is
that the story of the Queen of Sheba is the link of two great people, the King
and the Queen of two great empires, who met in one moment of time and left their
legacy of love and dynastic power in the archives of great stories and legends
of the world. There was one difference than most other dynastic romances, they
both learned to love the God of Abraham, Isaac and Jacob.
I Kings 10:6-9 - “Then she said to the
king: “It was a true report which I heard in my own land about your words and
your wisdom. However I did not believe the words until I came and saw with
my own eyes; and indeed the half was not told me. Your wisdom and
prosperity exceed the fame of which I heard. Happy are your men and happy
are these you servants, who stand continually before you and hear your
wisdom! Blessed be the Lord your God, who delighted in you, setting you on
the throne of Israel! Because the Lord has loved Israel forever, therefore He
made you king, to do justice and righteousness.”
Gem stones that were used to build the Temple
The 9 carat
Hermitage Diamond of the 16th century depicts the simple cut of three
triangular facets on each pyramidal side. Loaned Hermitage State Museum,
St. Petersburg, Russia.
It is easy to
overlook this hoard of gemstones, thinking that they are an inventory of stones
in which the ancients had placed a economic or cultural value. We must not
forget that stones to the ancients also had significant mystical value.
How to appraise these stones today would be very difficult if we used the modern
standard of gemology to them as the modern symbolic meanings given to gems are
more attached to ego and economics status rather than mystical religious
symbolism or attributes of personality.
The history of gemstones
in the ancient world in their value as a
technological tool is only in recent years been appreciated as their imprints in
ancient technology is being understood by the modern archeologist coupled with
the historian, the ancient art curator and the translator of ancient
manuscripts. The earliest known reference to the diamond, the hardest
mineral in the world was found in a Sanskrit document called the
Arthasastra ("The Lesson of Profit") by Kautiliya, a minister to
Chandragupta of the Mauryan dynasty in northern India. This manuscript is dated to 320-296 BCE. It
states:
"(a
diamond that is) big, heavy, capable of bearing blows, with symmetrical
points, capable of scratching (from the inside) a (glass) vessel (filled with water), revolving like a
spindle and brilliantly shining is excellent. That (diamond) with points lost,
without edges and defective on one side is bad."
Here the
ancient Indians described brilliantly the process of faceting and the value assigned to facets, points and
brilliants in a fine diamond octahedron.
Even so, no
diamonds have been found in any ancient archeological site. Yet what have been
found are the technological imprints of diamonds in the culture of the ancient
world. Holes in beads that are worn for purposes of personal jewelry have
been found throughout the ancient world.
Drills that use
twin diamonds, as shown in the left photo, leave concentric grooves in the holes
formed in hardstone beads, as shown in the right photo. The concentric grooves
are characteristic of the use of a twin-diamond drill (American Museum of
Natural History)
These holes
have what is called the ‘diamond footprint’ with concentric grooves left by a
twin-diamond drill. These marking are unique and cannot be replicated by
any modern or ancient drilling technique. The work of the archeologists as
discovered in the ornamental beads found with human remains have been
found in the lands of India, Thailand, Yemen, Sri Lanka and Egypt.
They all show conclusive evidence of twin-diamond drills as late as 700 CE and
as early as the 4th century BCE in Yemen, the possible ancient land
of Sheba.
The power of
gems upon the ancient minds is legendary. The legends of the man searching
for a precious gem are found in the literature of every ancient culture.
The ancient Indian culture was the first to take the value of the diamond and
the record of its meaning to their culture and life
The "Ratnapariksa" by
Buddha Bhatta is best known for its 6th-century BCE insight into the
value of gems and the myths in their culture of legendary powers of
gemstones. To the Indian, the diamond octahedron was a gem highly
valued.
"He
who, having pure body always carries a diamond with sharp points,
without blemish, free from all faults; that one, as long as he
lives, knows each day will bear some things: happiness, prosperity, children,
riches, grain, cows and meat. He who wears [such] a diamond will see
dangers recede from him whether he is threatened by serpents, fire, poison,
sickness, thieves, flood or evil spirits."
The diamond with the most prized
value flashed a dispersion of light into a rainbow of colors.
"Even
if it has blunt points, if it has a speck, a crack, the diamond that has the
reflection of the rainbow procures wealth, grain and sons. The king
who carries, so it is said, a beautiful diamond with glittering flashes
has a force that triumphs over all other powers and becomes master of all
neighboring lands."
Again to the ancient Indian, the
diamond was supreme, not only because of its beauty and the brilliant radiance
of its color, but because of its hardness and durability.
"The
gems and the metals that exist on earth are all scratched by the diamond:
the diamond is not (scratched) by them. A noble substance scratches that
which is noble and that which is not; the diamond scratches even the ruby.
The diamond scratches all and is not scratched by any."
At the base of
Mount Sinai, the art of gemology was instilled in the consciousness of the
ancient Israelites. Because there is a bias against the antiquity of the
Torah, most scholars do not give it the same respect and credibility as they
would a similar Sanskrit Indian manuscript. Yet as BibleSearchers, we have
respect for the antiquity of the knowledge and industry of the Hebrews and
recognize that in the 15th century, the art of faceting and engraving
gemstones was an art and technology known to the fleeing captives from the land
of Egypt. They were the industrial and technological powerhouse of the Old
Dynasty of Egypt.
When the
Sanctuary of the Congregation was being constructed in the Sinai wilderness in
the 16th century BCE, the most ancient recorded assembly of engraved
and possibly faceted stones was created and recorded.
In the Book of
Exodus, the Breastplate of the High Priest, called the Cohen Gadol, contained
one stone that was white or colorless and called µwlhy or "yahalom."
In the
3rd century BCE when the Hebrew scriptures was codified by Ezra the
Scribe, this word, meaning ‘smiter’ was
translated to ‘adamas’ in Greek meaning
‘indomitable’. Many have thought
this to be a diamond.
To the
gemology historian, this produces a problem. The size of the stones on the
breastplate would indicate that the diamond would be measured in inches, a stone
of incredible rarity and value. The next problem is that the name of one of the
tribes of Judah was engraved on this stone and diamonds, the hardest stone on
earth cannot be engraved. To the historians at the American Museum of
Natural History, their third problem is the most serious. “The text (in the
Torah) precedes knowledge of diamond outside of India.” As such
“yahalom” is translated as onyx,
a milky white stone, used for pressing
engraved images into clay seals.
What needs to
be discussed is that the gemstone that was used to engrave the name of
the sons of Judah on the twelve stones in the Breast Plate of the Cohen Gadol
was probably a diamond. Once again, we
have to give the Israelites the same credibility as we do the Indians, the
Sumerian and any other ancient culture. It was the diamond that was used
to engrave.
The twelve stones on the breastplate
of the High Priest. (The
Temple Institute)
We now know
the trade routes of the ancient gemstones between Orient and the Greco-Roman
world. During this era, the word, ‘adamas’, became part of the lexicon of the Romans, about
100 CE, as known in the writings of Pliny the Elder (23-79 CE) during the last
days of the Herodian kingdom of Judea, and by the evidence of engraved
sapphires (hardness of 9) which have to be
engraved by diamonds and the talismanic
diamond rings.
Theophrastus
(372-322 BCE), Plato’s student who wrote the treatise, De lapidibus,
meaning “On Stones” uses the Greek word adamas referring to emery, which in this instance was felt to be
corundum, the chemical of rubies and sapphires, the next hardest mineral to diamonds.
Yet it was Pliny the Elder,
author of the encyclopedia of the ancient world, Historia naturalis, who wrote
before his death in the flames and ashes of the eruption of Mount Vesuvius,
"The
substance that possesses the greatest value, not only among precious
stones, but of all human possessions, is adamas; a mineral which for a
long time, was known to kings only, and to very few of them...These
stones [diamonds] are tested upon the anvil, and will resist the blow to
such an extent as to make the iron rebound and the very anvil split
asunder…."
"These
particles (diamond bits) are held in great request by engravers, who
enclose them in iron, and are enabled thereby, with the greatest
facility, to cut the very hardest substances known."
The art of engraving sapphires,
cameos, and intaglios by the Romans in the first century can now be recognized
as being a secondary product of diamond engraving points. It was from the Roman
engraver that we had a reverse trade route, for the art of engraving now went
back east clear to China, where its references to diamonds is in the possession
of the Roman scribes. The Chinese main interest was to utilize the diamond
to make the priceless ancient jade engravings, and to use diamonds for drill
bits for beads and pearls.
Building the
Temple of Solomon with Precious Stones
This now get us to this present
Mishnah, we are introduced to the “precious stones with which the Temple was
built”. This is a strange statement. We consider precious stones
for their beauty, rarity and evidence of social status, but rarely do we
consider the ‘precious stones’ for their utilitarian value.
To date I have not heard nor read
of any author investigating the technological value of gemstones such as
corundum or diamonds to be used in the building and construction of the Temple
of Solomon. Extreme and rigid requirements were placed on the construction
of the Temple.
Prior to the actual building of
the Temple of Solomon, all the major pre-construction preparation were done in
advance.
I
Kings 5:127-18 - “And the king commanded
and they brought great stones, costly stones and hewed
stones, to lay the foundation of the house. And Solomon’s builders
and Hiram’s builders did hew them, and the stonesquarers: so they
prepared timber and stone to build the house.
I
Kings 6:7 - “And the house, when it was in
building, was built of stone made ready before it was brought thither: so
that here was neither hammer nor axe nor any tool of iron heard in the
house, while it was in building.”
Consider seriously the
implications of building an edifice without any iron or hammers. Large and
massive building stones were lifted and set in place in which the alignment was
determined in advance. The large massive doors of brass were lifted into
place on hinges without the use of a hammer. The walls were engraved with
reliefs of cherubim and pomegranates without the use of any iron. The wooden
ceiling, banisters and porticoes was fitted and embellished with the finest of
craftsmen’s art without the plane or saw or hammer. Yet they had
precious stones in which they could build the temple.
The whole passage in the Book of
Kings suggests that there was a certain dignity and quietness, a decorum that
was to be maintained as the contractors and the artisans could feel the presence
of the Lord in the House that they were constructing. There was to be a
spirituality of the Presence. They were not to hear the pounding or
banging of instruments of iron. Was the literalness of the message also to
have a spiritual connection? Yet within the House of the Lord, there
was no injunctions of the Lord against the humming of diamond drill bits
as they cut, polished and finished off the massive limestone walls, or trimmed
the edges of the cedars of Lebanon, or engraved the wood on the porticoes, or
drill holes into the limestone to set beams and stabilize pillars, to
embellish the trimming on the ceilings of the Holy Place, place engraved images
on the Molten Sea or on the large doors that entered into the temple
proper. Is it not time to consider that Solomon with all his wisdom
and wealth also had access to technology that we think are modern, only to
someday know that the ancients were using them too?
The Magical
Worm, the Shamir, that cut and engraved stone
Sometime one has to go to the world of legends to
find the revelation of truth. The sages of the Hebrews puzzled long over
the apparent difficulty of building the grandeur of the temple of Solomon
without the known building tools of the iron chisel and hammer. Yet the
very use of these instruments was forbidden by the Lord of hosts. In the Pesikta
Rabbati 6, 28a, it was also revealed that a hidden technology for moving large
stones was also known to the ancients.
Pesikta Rabbati 6, 28a - The
stones moved of their own accord; they flew and rose up by themselves,
setting themselves in the wall of the Temple and erecting it."
Yet Solomon puzzled on how the temple of the Lord would be built
without these building instruments. The altar and the temple were to be an
emblem of peace while the tools of iron had been corrupted as instruments of
war, death and destruction.
The Shamir with Moses
According to Rabbi Judah, we have the Legend of the Shamir.
Solomon learned of an amazing little worm, no bigger than the grain of a barley
that could cut through any stone on earth. It was better than the sharpest iron
instrument known. Solomon also learned that Moses also used this ‘worm’ in
order to engrave the ten commandments on the stone that Yahweh had entrusted to
him. Since that day, the ‘worm’ was kept in the custody of the demon Ashamed,
the Prince of the Sea, who in turn kept it in the safe custody of the hoopoe
bird (or woodcock).
In the Mishnah Avon 5:6, the Shamir was
created on the sixth day of creation and was given to the hoopoe-bird (woodcock)
who kept it in her custody throughout the ages in the Garden of Eden. This
marvelous bird would on occasion take this worm and carry it across the earth,
carrying it tightly in her beak, letting it down only to create a fissure on a
desolate mountain peak so that the seeds of plants and trees could sprout and
provide her food.
When the Israelites were camped near Mount
Horeb/Sinai, the Lord brought the Shamir and gave it to Bezaleel to engrave the
names of the twelve tribes on the twelve stones of the breastplate of the high
priest, Aaron. Then the Lord gave it back to the custody of the
hoopie-bird. Here she kept it in a leaden box, with fresh barley, wrapped
in a woolen cloth. That is until Solomon needed it to build the Temple of
the Lord in Jerusalem. Since that day, the Shamir has been lost.
As with all good rabbinic Talmudic debates, there
was always a dissent. Judah R. Nehemiah claimed that the stones were
quarried and then brought to the temple in a finished condition for the building
of the temple. It appears that Rabbi Nehemiah’s argument carried the
debate as most scholars today believe this also to be true.
Of course, most
Talmudic arguments were debated during the Roman imperial rule. In
Latin, the Shamir was known as smirks corundum, the
substance of sapphires and rubies and the hardest known gem next to the
diamond. The substance of legends has a kernel of truth
and now we know the ‘rest of the story’.
This story took tremendous play in the middle
ages and was retold by Ellen Frankel in The
Classic Tales: 4.000 Years of Jewish Lore, Publ. Jason Aronson, 1996. It is
also found in English language sources: Ginsburg, Legends of the Jews I, 66-69
and the Hebrew sources in Pirkei Avot 5:6; Sifre Deut. (ed. Friedmann), 355;
Midrash Tannaim 219; B. Pesahim 54a; Avot de Rabbi Natan 37, 95; Pirke de Rebbe
Eliezer 19; Tosefta Sotah 15:1-Bavli 48b; Yerushalmi 9, 20d.
Maybe within the hoard of the
treasures of Solomon’s temple, we will find evidence of the technological
sophistication, such as diamond drills, diamond and corundum bit saws that
scholars have long felt did not exist in the 11th century BCE.
Credits and
Links:
Bible Searchers
Sites
Babylon and the Exile
of the Jews by Robert D. Mock MD
The Fountain
that will erupt from the Temple Mount by Robert D. Mock MD
Vendyl Jones
Research Institute Sites
Vendyl Jones Research Institute Home
Page
Emeq
HaMelekh by the Vendyl Jones
Research Institute
A Door of Hope by
the Vendyl Jones Research Institute
Ashes
for Beauty--The Mysterious Ashes of the Red Heifer by Jim
Long
The Gate Between
Two Walls, by Vendyl Jones
Vendyl Jones and the Ark of the
Covenant by Gerard Robins
Temple Mount
Sites
The Temple Institute on recreation
the Furnishing for the New Temple in Jerusalem
The Temple
Menorah and vessels for New Temple of Jerusalem
The Temple Mount in Jerusalem
by
the Temple Mount Organization
The Gihon Springs Temple Site by Ernest Martin
Emeq HaMelekh
Sites
Emeq
HaMelekh by the Vendyl Jones
Research Institute
The Temple and the Copper
Scrolls by the Order of the Nazorean Essenes
Emeq HaMelekh and the Ark in
King Tut’s Tomb by Emeq HaMelekh by the Vendyl Jones
The Treasures in
the House of the Lord by Lambert Dolphin
The Table of
Showbread
Images of Egypt by
Clemson
Garmu,
the Temple Bakers by Jewish Encyclopedia
Baking
the Showbread by Jewish Encyclopedia
Table
of Showbread by the Jewish Encyclopedia
Pyramid
Age Baking by National Geographic and Harvard
The Almugim
Tree
Solomon’s Plant
Life: Plant Lore and Image in the Solomonic Writings by Lytton John
Musselman
The Algum Tree for King Solomon’s Temple by The Ancient Grove and
Garden
Bava
Basra by Rabbi P. Feldman and Rabbi Mordecai Kornfeld
The Margaliot
Pearl
The Etymology
of the Margaliot by A. Margolis in France
Pearl, Queen of Gems by
Virtual Sri Lanka
Faceted and Engraved
Gemstones in the Ancient World
The
Breastplate of the High Priest by the Temple Institute
The History of
Gemstones in the ancient world by the American Museum of Natural History
"Ratnapariksa" by Buddha Bhatta sixth century BCE description of faceted
diamonds
Ancient History of Diamonds and Gems
by the American Museum of
Natural History
Legend of the stone eating worm,
the Shamir by Jewish Heritage Online
Gems and Stone in Hebrew
Legends by Jewish Heritage Online
Solomon and the gold of
Sheba, and the land of India
India’s Gold
Reserves by ICPD
King Solomon’s Navy by
Artsales
Boats and
Ships of Ancient Egypt by Artsales
Queen of Sheba’s
Temple Restored by BBC News
Industrial Gems,
Golden Trees, The Tree of Life,
the Guardian
Angel of Solomon’s Temple
Topics
Mishnah
6
The
Secret Mission of the Fittest Men in Israel
The
Industrial Gemstones that Built the Temple
Ancient Technology in building Stone
Buildings
The Palace of Solomon
The House of the Forest of
Lebanon
The Hall of Pillars and the Hall of
Judgment
Golden
Shields for the Military and Ceremonial Bodyguard of King Solomon
The
Bodyguards of King David and Solomon
The
Cherithites and Pelethites
Solomon’s
Grand Entry to the House of the Lord
Industrial
Stone Saws used in the Stone Quarrying in Jerusalem
The
Almugim Trees
Ancient
Gold Plating and Electroplating
Mishnah
7
The
Secret Mission of Hilkiah
The
Fruit Trees of Parvaim Gold
The
Tree of Life in the Holy Garden
The
Guardian Angel of Solomon’s Temple
Return to the
beginning
Go to Part Six
Go to Part One